Self-Identify And Cultural Assimilation In Maya Angelou’s The Heart Of A Woman

  • P. Francina Angeline Diana
  • Dr. K. Ashok Kumar
Keywords: Black women, race and gender, Cultural Assimilation, Black woman

Abstract

The personal narratives of African American women play a crucial role in challenging and redefining societal preconceptions about race and gender. These autobiographies persist in articulating the complexities of Black women’s identities and their resistance to stereotypes. The literary legacy of African American women’s autobiographies has paved the way for contemporary authors to further explore and enhance expressions of individual identity. Maya Angelou, as a prominent successor in this tradition, continues the work of her predecessors in her autobiographical writings. In The Heart of a Woman, Angelou elucidates the experiences of being both a Black mother and a Black woman, considering the political, social, and psychological contexts that shape her identity. Her historical and cultural context significantly influences her narrative. This paper examines the themes of Self-Identification and Cultural Assimilation in The Heart of a Woman, establishing a framework for understanding African American autobiography from both theoretical and thematic perspectives.

Author Biographies

P. Francina Angeline Diana

Ph. D Research Scholar, Department of English, Annamalai University, Tamil Nadu, India. 

Dr. K. Ashok Kumar

Assistant Professor, Department of English Periyar Government Arts College, Tamil Nadu, India

References

1. Angelou, Maya. The Heart of a Woman. London: Virago, 1986.
2. Angelou, Maya. I Know Why the Caged Bird Sings. Newyork: Bantam Books, 1971.
3. Butterfield, Stephen. Black Autobiography in America. Amherst: University of Massachusets Press, 1974.
4. Koyana, Siphokazi Z. The Heart of a Woman: Black Women’s Lives in the U.S and South Africa as Portrayed in the Autobiographies of Maya Angelou and Sindiwe Magona. Philadelphia: Temple University, 1990.
5. Lupton, Mary Jane. “Singing the Black Mother: Maya Angelou and Autobiographical Continuity.” Black American Literature Forum. 24(2) :257- 276, 1990.
6. McPherson, Dolly Aimee. Order Out of Chaos: The Autobiographical Works of Maya Angelou. Iowa City: University of Iowa, 1986.
7. Staples, Robert. The Myth of the Black Matriarchy. The Black Scholar, 12 (6): 26- 34, 1970.
8. Vermillion, Mary. “Reembodying the Self: Representations of Rape in Incidents in the Life of a Slave Girl and I Know Why the Caged Bird Sings”. Biography, 15(3): 243. 1992.
9. Walker, Nancy. Feminist Alternatives: Irony and Fantasy in the Contemporary Novel by Women. Jackson MS: University Press of Missisipi, 1990.
Published
2024-06-30
How to Cite
P. Francina Angeline Diana, & Dr. K. Ashok Kumar. (2024). Self-Identify And Cultural Assimilation In Maya Angelou’s The Heart Of A Woman. Revista Electronica De Veterinaria, 25(1S), 1741- 1746. https://doi.org/10.69980/redvet.v25i1S.1600