Engraved Heritage: The Interplay Of Domestic Architecture, Wooden Carvings, And Spatial Identity In Joseph Bruchac's Children Of The Longhouse

Abstract

Study of any culture is undone without an inquiry into its works of craftsmanship. Art, clothing, tools, pottery, glassware among others are archeological finds across all historical cultures. Rich in history, spirituality and meaning, the Native American culture reflects diverse traditions, customs and beliefs of hundreds of American Indigenous tribes. Fur blankets, moccasins, crafted weapons, carved utensils, engraved bowls, totem poles, turquoise jewelry, wampum, shells, beads, pottery, spirit masks along with other items provide insights into the ceremonial, utilitarian and decorative skills of Native Americans. Through detailed descriptions of the creation and use of such artifacts, Joseph Bruchac intricately ties cultural identity of early Mohawks to material objects and spatial dynamics. By analyzing these depictions, the paper demonstrates how Bruchac uses tangible elements to depict the intangible—values, relationships, and communal harmony. Drawing from Indigenous literary criticism, cultural anthropology and architectonics, the paper positions Children of the Longhouse as a narrative of cultural preservation and a symbol of cultural pride, resistance and the indigenous connection to spiritual world.