Representation Of Fantasy In Badal Sircar’s Evam Indrajit

Abstract

Badal Sircar is a twentieth-century Indian playwright, who is best known for his revolutionary plays. His plays are originally written in Bengali language and most of them are translated into English. Sircar’s plays have discussed the themes of self-identity, alienation, and socio-political critique. His plays explore the prevalent attitudes, imprecise feelings, and undefined frustrations causing distress to the educated urban middle class and also expose the day-to-day struggle for survival, the meaninglessness of existence, and the decline of human values and emotions. Sircar’s Evam Indrajit explores profound existential and socio-political themes, set against the backdrop of post-independence India. The present research paper highlights how Badal Sircar’s play Evam Indrajit represents fantasy and how the main characters are in love with their thoughts. The play employs a non-linear structure and surreal imagery to reflect the fragmented psyche of its protagonist, Indrajit who grapples with identity and conformity. Sircar blurs the lines between reality and fantasy, creating a dream-like atmosphere that invites deep reflection. The character of the Writer acts as a meta-theatrical bridge, underscoring the power of imagination in transcending the limitations of reality. Fantasy in the play serves not merely as an escape but as a critical lens to examine societal expectations and individual struggles. The surreal settings and poetic dialogue enhance the play’s emotional and intellectual resonance, engaging the audience in a dynamic theatrical experience. Evam Indrajit highlights its innovative departure from conventional theatre, with its enduring legacy inspiring future generations to explore imaginative storytelling. This article delves into the multifaceted representation of fantasy in the play analysing its significance in the narrative structure and its impact on the thematic exploration of identity, alienation, and socio-political issues. Sircar’s work remains a testament to the transformative power of fantasy in theatre, affirming its relevance and timeless appeal.